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Music blog Bucket Full of Nails included the like they do in movies song “ufos” on February 27’s playlist, along with Colleen Green, Houndmouth, Pete Greenwood, Pretend Sweethearts, Riverboat Gamblers, The Deep Dark Woods, The Martha’s Vineyard Ferries, The Whereabouts, and Town Mountain. Have a listen! The blog has a long list of well-curated weekly playlists, so check it out and discover some new music. You always need new music, right?

Fun fact: I first heard about The Deep Dark Woods (whose “Westside Street” is featured on the playlist) from a very nice stranger at a killer Dawes show in Las Vegas, NV back in 2011. Nice to have our paths cross in the digital world.

Maria Taylor played at The Mohawk on January 22; Carrie and I had been watching her tour dates and songkick, but somehow we missed it until the afternoon of the show. I hadn’t seen her live, even though I’ve been listening to her since hearing Azure Ray’s November; I remember buying the EP at The Dirt record store in Las Cruces, NM, where I bought most of my music back then.

Indie folk singer PJ Bond opened the show, with electric guitar accompanist Marko Casso playing one fantastic song solo during PJ’s set. PJ played a great heartfelt set, and I would’ve loved to see more from Marko.

Maria played the first two songs on drums, moved to guitar, then electric piano, then back to guitar, then from guitar to drums during the closing song. It’s fun seeing other multi-instrumentalists play and trying to guess what they’ll do next. She was engaging and interactive, and seemed to be having fun on stage and with life in general.

She played two of my favorites, “Song Beneath the Song” and “Two of Those Too,” the latter as part of a two song encore for those of us who stuck around. Taking requests even though she wasn’t sure she remembered them, she said, “I write songs, I record them, then I don’t play them for a year.” I was happy to hear that, because I typically work that way, too, and I’m always nervous someone is going to request an obscure song that I can’t come close to playing.

Shortly after the show, and while Carrie and I were still debating whether we should stick around for a chance to meet Maria, she came out of the green room and chatted with us. We bonded about our writing/recording/forgetting process. It was great seeing that such a talented songwriter and musician was also so down to earth.

Maria Taylor at The Mohawk Austin

Maria Taylor at The Mohawk Austin

Carrie took this one. I’m not that good.

Sunday’s show at The Owl was a fantastic night of experimental and unique folk sounds. The Owl, a venue and art gallery in East Austin, is comfortable and welcoming with a homey DIY vibe.

Cole Bee Wilson performed as H. Thunderbolt using two guitars, a glockenspiel played with two bows, a kalimba/thumb piano, effects pedals and a loop station. (I might have left something out.) His set was based on historical events leading up to the Battle of Cannae and his songs, as well as the background he offered, were engaging, entertaining, and educating.

Human Behavior‘s lineup was different than their last Austin show and featured clarinet and violin in addition to 12-string guitar, banjo, TVs, chains, rattling bones and haunting vocal arrangements. I considered requesting “Crag” and/or “Always Cold,” but it seemed like they had a plan and I didn’t want to interfere. Seeing them live is such a surreal experience; powerful and mesmerizing.

The duo Cross Record closed out the night with enchanting vocals, electric guitars, a big bass drum (and a smaller one) and additional percussion. Emily and Dan relocated from Chicago last fall, but they already seem to be at home in Texas, playing Merle Haggard and Townes Van Zandt covers.

The crowd was nice, attentive and responsive; it was reassuring to see that The Owl attracts such dedicated listeners. I opened the show with a short set, mostly on guitar, and closed with a new song:

  1. hey, hey (guitar and harmonica)
  2. the road through the headlights (guitar)
  3. upright to the wind (guitar and harmonica)
  4. the only light (banjo)
  5. dust (guitar)
  6. details (guitar and harmonica)
Battle of Cannae

Public domain image courtesy of Wikipedia.

Dark folk band Human Behavior is coming back to Austin, TX on Sunday, January 12 and I’ll be opening for them along with locals Cross Record and Cole Bee Wilson.

As you may know, I’m already crazy about Human Behavior. Their latest project is posting one song and video a day from Chile, starting on Christmas and ending January 6 (today).

I’ve been listening to Cross Record and I’m loving her experimental lo-fi folk sound, especially this album:

I’m just now starting to listen to Cole Bee Wilson’s avante garde folk music; here’s his latest tune on bandcamp:

I’m excited to see all of these bands, to play at a place called The Owl, and to perform with another “bee” musician. I wrote a new song around 2am last night/this morning. Maybe I’ll play it at the show. The world is full of possibilities.

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